Schnitte in Raum und Zeit

Caratteristiche tecniche: formato video 16:9, 1.77:1; formato audio Dolby digital 2.0; codice regione 0 PAL. - Titolo del contenitore. - Lingue: tedesco; lingue sottotitoli: inglese. - Produzione cinematografica: Germania, 2006. - Contenuto. DVD 1. Schnitte in Raum und Zeit / Cuts in Time and Space, chapters: Wolf Singer: Perception / Construction; Alexander Kluge: Narration and Montage; Beate Mainka-Jellinghaus: Anything Is Possible; Mathilde Bonnefoy: The Nuance Is the Meaning; Bettina Böhler: Rhythm / Breath / Emotion; Peter Przygodda: Tools / Interfaces; Alexander Kluge: Documentary / Feature Film; Elfi Kreiter: To Cut / Not to Cut; Wolfgang Widerhofer: In Praise of Fragments; Mainka-Jellinghaus, Böhler, Bonnefoy, Widerhofer, Kreiter, Przygodda: It All Depends On ...; Wolf Singer: Epilogue. DVD2. Zusätzliche Interviews / Additional interviews, chapters: Alexander Kluge: Context, When Montag Is Impossible, Montage / Techniques, Montage / Plateau-Formed, Montage in Documentaries; Beate Mainka-Jellinghaus: Working with Werner Herzog and Alexander Kluge, Text and Commentary, Montage Whilst Shooting; Mathilde Bonnefoy: The First Screening, Floating Attentiveness, Rough Cut / Fine Cut, On Using Music, On Working with Sound, The Last Word on a Film; Elfi Kreiter: Working with Georg Stefan Troller, On Using Special Effects, On Using Music, On Using Language, Respect and Responsibility; Brigitte Kirsche: Talking Heads / Working with Eberhard Fechner, Material / Appropriation, Acoustic Fades; Barbara Hennings: Emotions / Breath / Breaks, On Using Music, The Potential of Sound; Nikolaus Geyrhalter and Wolfgang Widerhofer: Teamwork / I; Bettina Böhler: Teamwork / II; Mainka-Jellingshaus, Barthelmes, Kirsche, Widerhofer, Bonnefoy, Przygodda: Learning to Cut I - VI. - con Alexander Kluge