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Abstract/Sommario: The three-act structure is so last century! Unlike other screenwriting books, this unique storytelling guide pushes you to break free of tired, formulaic writing by bending or breaking the rules of storytelling as we know them. This new edition dives into all the key aspects of scriptwriting, including structure, genre, character, form, and tone.

Abstract/Sommario: At the end of the 1950s, celebrated French documentarian François Reichenbach (F for Fake, Portrait: Orson Welles), whose lens captured the likes of Brigitte Bardot and Johnny Hallyday, spent eighteen months traveling the United States, documenting its diverse regions, their inhabitants and their pastimes. The result, America is Seen by a Frenchman, is a wide-eyed - perhaps even naïve - journey through a multitude of different Americas, filtered through a French sensibility and serving ...; [Leggi tutto...] At the end of the 1950s, celebrated French documentarian François Reichenbach (F for Fake, Portrait: Orson Welles), whose lens captured the likes of Brigitte Bardot and Johnny Hallyday, spent eighteen months traveling the United States, documenting its diverse regions, their inhabitants and their pastimes. The result, America is Seen by a Frenchman, is a wide-eyed - perhaps even naïve - journey through a multitude of different Americas, filtered through a French sensibility and serving as a fascinating exploration of a culture that is both immediately familiar and thoroughly alien.

Abstract/Sommario: At the start of hostilities in World War I, when the United States was still neutral, American newsreel companies and newspapers sent a new kind of journalist, the film correspondent, to Europe to record the Great War. These pioneering cameramen, accustomed to carrying the Kodaks and Graflexes of still photography, had to lug cumbersome equipment into the trenches. Facing dangerous conditions on the front, they also risked summary execution as supposed spies while navigating military r ...; [Leggi tutto...] At the start of hostilities in World War I, when the United States was still neutral, American newsreel companies and newspapers sent a new kind of journalist, the film correspondent, to Europe to record the Great War. These pioneering cameramen, accustomed to carrying the Kodaks and Graflexes of still photography, had to lug cumbersome equipment into the trenches. Facing dangerous conditions on the front, they also risked summary execution as supposed spies while navigating military red tape, censorship, and the business interests of the film and newspaper companies they represented. Based on extensive research in European and American archives, this book follows the adventures of these cameramen as they managed to document and film the atrocities around them in spite of enormous difficulties.

Abstract/Sommario: Nella California dei primi anni Sessanta, quattro giovani appena diplomati, con molti dubbi sul proprio futuro, passano la loro ultima notte di libertà ascoltando la radio e girovagando in macchina a caccia di ragazze.