Risultati ricerca

Abstract/Sommario: After getting in a car accident, Michelle awakens to find herself in a mysterious bunker with two men named Howard and Emmett. Howard offers her a pair of crutches to help her remain mobile with her leg injury sustained from the car crash and tells her to "get good on those" before leaving the bunker. She has been given the information that there has been an alien attack and the outside world is poisoned. However, Howard and Emmett's intentions soon become questionable and Michelle is ...; [Leggi tutto...] After getting in a car accident, Michelle awakens to find herself in a mysterious bunker with two men named Howard and Emmett. Howard offers her a pair of crutches to help her remain mobile with her leg injury sustained from the car crash and tells her to "get good on those" before leaving the bunker. She has been given the information that there has been an alien attack and the outside world is poisoned. However, Howard and Emmett's intentions soon become questionable and Michelle is faced with a question: Is it better in here or out there?

Abstract/Sommario: When his fourth son, Gibreel, is born in 2005, self-taught cameraman Emad Burnat, a Palestinian villager, gets his first camera. At the same time in his village of Bil'in, the Israelis begin bulldozing village olive groves to build a barrier to separate Bil'in from the Jewish settlement Modi'in Illit. The barrier's route cuts off 60% of Bil'in farmland and the villagers resist this seizure of more of their land by the settlers. During the next year, Burnat films this struggle, which is ...; [Leggi tutto...] When his fourth son, Gibreel, is born in 2005, self-taught cameraman Emad Burnat, a Palestinian villager, gets his first camera. At the same time in his village of Bil'in, the Israelis begin bulldozing village olive groves to build a barrier to separate Bil'in from the Jewish settlement Modi'in Illit. The barrier's route cuts off 60% of Bil'in farmland and the villagers resist this seizure of more of their land by the settlers. During the next year, Burnat films this struggle, which is led by two of his best friends including his brother Iyad. At the same time, Burnat uses the camera to record the growth of his son. Very soon, these events begin to affect his family and his own life. Burnat films the army and police beating and arresting villagers and activists who come to support them. Settlers destroy Palestinian olive trees and attack Burnat when he tries to film them. The army raids the village in the middle of the night to arrest children. He, his friends, and brothers are arrested or shot; some are killed. Each camera used to document these events is shot or smashed. Eventually, in 2009, Burnat approaches Guy Davidi,[5] an Israeli filmmaker, and the two of them create the film from these five broken cameras and the stories that they represent.

Abstract/Sommario: Harry Mitchell, un ricco industriale di Los Angeles, vive con una bella moglie ma un giorno si concede un'avventura. La ragazza però è in combutta con tre individui assai poco raccomandabili.

Abstract/Sommario: Haneke's articulate critique of the isolating effects of western society, the media and television in particular, is composed of an intricate series of unrelated scenes, culminating in an apparently motiveless act of violence

Abstract/Sommario: Marcello Mastroianni plays Guido (Fellini’s alter-ego), a successful filmmaker who, embarking on his next film, is overcome by director’s block and finds he has no story to tell ! Struggling to find inspiration, he is harassed by his producers, his crew, his wife (Anouk Aimée), even by his mistress (Sandra Milo), so he retreats into fantasy, where his muse appears embodied by Claudia Cardinale, and he revels in dreamy memories of his life and lovers… Until memories, fantasy and reality ...; [Leggi tutto...] Marcello Mastroianni plays Guido (Fellini’s alter-ego), a successful filmmaker who, embarking on his next film, is overcome by director’s block and finds he has no story to tell ! Struggling to find inspiration, he is harassed by his producers, his crew, his wife (Anouk Aimée), even by his mistress (Sandra Milo), so he retreats into fantasy, where his muse appears embodied by Claudia Cardinale, and he revels in dreamy memories of his life and lovers… Until memories, fantasy and reality merge in the director’s mind and on screen into an astonishing, masterful spectacle, culminating in the electrifying triumph of optimism that becomes 8½.

Abstract/Sommario: Un'anziana nobildonna vive solitaria sulla sua proprietà che un modernista vorrebbe trasformare in villaggio turistico. La contessa viene uccisa, anche il suo assassino viene ucciso, alcuni ragazzi che scoprono il delitto sono fatti fuori...