Risultati ricerca

Abstract/Sommario: UFDKLMA: En 1992, alors que l’indépendance de la Namibie déclenche un afflux d’aides internationales sans précédent en faveur des Ju’hoansi, un peuple autochtone vivant dans le désert du Kalahari, ceux-ci se plaignent que les organismes de développement ne soutiennent plus l’agriculture.
LM: Dans la province du Shanxi (sud-ouest de Pékin), des paysans travaillent, au péril de leur vie, dans des mines de charbon pour compléter les maigres revenus que leur rapporte la terre.
SAUJDURCDC ...; [Leggi tutto...] UFDKLMA: En 1992, alors que l’indépendance de la Namibie déclenche un afflux d’aides internationales sans précédent en faveur des Ju’hoansi, un peuple autochtone vivant dans le désert du Kalahari, ceux-ci se plaignent que les organismes de développement ne soutiennent plus l’agriculture.
LM: Dans la province du Shanxi (sud-ouest de Pékin), des paysans travaillent, au péril de leur vie, dans des mines de charbon pour compléter les maigres revenus que leur rapporte la terre.
SAUJDURCDC: Une journée avec les membres d’un restaurant ashram (communautaire) de Calcutta.

Abstract/Sommario: The film tells the story of a lonely housewife, known as Charu (Madhabi Mukherjee), who lives a wealthy, secluded and idle life in 1870's Calcutta. Her husband, Bhupati (Sailen Mukherjee), runs a newspaper, The Sentinel, and spends a lot more time at work than with his wife. However, he notices that Charu is lonely, and asks his cousin, Amal (Soumitra Chatterjee), to keep her company. Amal is a writer and is asked to help Charu with her own writing.

Abstract/Sommario: Directed by the visionary Bengali filmmaker Ritwik Ghatak, The Cloud-Capped Star tells the story of a family who have been uprooted by the Partition of India and come to depend on their eldest daughter, the self-sacrificing Neeta (Supriya Choudhury). She watches helplessly as her own hopes and desires are pushed aside time and again by those of her siblings and parents, until all her chances for happiness evaporate, leaving her crushed and ailing. Experimenting with off-balance composi ...; [Leggi tutto...] Directed by the visionary Bengali filmmaker Ritwik Ghatak, The Cloud-Capped Star tells the story of a family who have been uprooted by the Partition of India and come to depend on their eldest daughter, the self-sacrificing Neeta (Supriya Choudhury). She watches helplessly as her own hopes and desires are pushed aside time and again by those of her siblings and parents, until all her chances for happiness evaporate, leaving her crushed and ailing. Experimenting with off-balance compositions, discontinuous editing, and a densely layered soundtrack, Ghatak devised an intellectually ambitious and emotionally devastating new shape for the melodrama, lamenting the tragedies of Indian history and the inequities of traditional gender roles while blazing a formal trail for the generations of Indian filmmakers who have followed him.

Abstract/Sommario: Dr. Gupta is convinced that the holy water of the temple is contaminated due to faulty pipe-laying. It is causing an epidemic in the town. He warns his brother Nisith. Nisith, the Industrialist and other town officials reject the idea that holy water might be the cause of the epidemic. They refuse to close the temple to carry out the repairs.

Abstract/Sommario: The story is set in early 20th century India (specifically, 1907) in the estate of the rich Bengali noble Nikhilesh (Victor Banerjee) and in the chaotic aftermath of Lord Curzon's partition of Bengal into Muslim and Hindu states; the nationalist movement is trying to impose a boycott against all foreign goods (by claiming that imports are at the root of Indian poverty). He lives happily with his beautiful wife Bimala (Swatilekha Sengupta) until the appearance of his friend and radical ...; [Leggi tutto...] The story is set in early 20th century India (specifically, 1907) in the estate of the rich Bengali noble Nikhilesh (Victor Banerjee) and in the chaotic aftermath of Lord Curzon's partition of Bengal into Muslim and Hindu states; the nationalist movement is trying to impose a boycott against all foreign goods (by claiming that imports are at the root of Indian poverty). He lives happily with his beautiful wife Bimala (Swatilekha Sengupta) until the appearance of his friend and radical revolutionist, Sandip (Soumitra Chatterjee).

Abstract/Sommario: V 'akvariju', bordelu na Tajskem, spolne delavke čakajo na svoje stranke za stekleno steno, klepetajo in zrejo v lasten odsev. V Bangladešu moški zahajajo v ljubezenski geto, 'mesto radosti', kjer prostitutke pod strogim nadzorom svojih madam v tesnih sobah zadovoljujejo stranke in vzgajajo svoje otroke. V prašni mehiški 'coni' kurbe molijo k boginji smrti, da bi se izognile soočenju z lastno realnostjo.

Abstract/Sommario: Feluda, his cousin Topshe and the thriller writer Jatayu visit Benaras during the pujas. There they meet a Bengali family. Upon hearing that Feluda is a private investigator, the Ghosal family head entrusts him with the task of finding out the thief of the attempted theft that took place in their house. Meanwhile, the arrival of a saint by the name of 'Machhli Baba' in Benaras quivers the excitement of the local people.

Abstract/Sommario: Amitabha Roy (Soumitra Chatterjee) is a Calcutta-based scriptwriter who is driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta (Haradhan Bandopadhyay), offers hospitality for the night. Amitabha is forced to accept the offer as he has no alternative.
At Gupta's house, he is introduced to his wife Karuna (Madhabi Mukherjee). Amitabha is shocked to find her to be the girl he once loved and had let down. Unawar ...; [Leggi tutto...] Amitabha Roy (Soumitra Chatterjee) is a Calcutta-based scriptwriter who is driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta (Haradhan Bandopadhyay), offers hospitality for the night. Amitabha is forced to accept the offer as he has no alternative.
At Gupta's house, he is introduced to his wife Karuna (Madhabi Mukherjee). Amitabha is shocked to find her to be the girl he once loved and had let down. Unaware of their past relationship, Gupta entertains Amitabha. He comes across as a simple man with none of the physical or intellectual charms of Roy.

Abstract/Sommario: Set in Calcutta during the 1950s Mahanagar explores the evolving independence of middle-class women of the city. Arati (Madhabi Mukherjee), a home maker, takes up a job as a door-to-door saleswoman to meet the increasing financial pressure on her very orthodox and conservative family. Despite familial adversity and societal obstacles the initially hesitant and nervous Arati soon begins to prosper in her field and gradually starts to enjoy her new-found financial and psychological indep ...; [Leggi tutto...] Set in Calcutta during the 1950s Mahanagar explores the evolving independence of middle-class women of the city. Arati (Madhabi Mukherjee), a home maker, takes up a job as a door-to-door saleswoman to meet the increasing financial pressure on her very orthodox and conservative family. Despite familial adversity and societal obstacles the initially hesitant and nervous Arati soon begins to prosper in her field and gradually starts to enjoy her new-found financial and psychological independence. Her initially supportive husband, Subrata (Anil Chatterjee), starts to feel insecure decides to ask Arati to quit after tentatively securing another part-time job. Before Arati can quit, Subrata loses his job in the bank he was working for as it is shut down. Subrata has no choice but to let her continue to work. Arati now becomes the sole breadwinner of the family and also befriends an English-speaking, Anglo-Indian (representative of the legacy of the British Raj) colleague Edith (Vicky Redwood), a move which raises suspicion and increases conflict within her family. Slowly Arati begins to shine in her job and earn the trust of her manager, who promises her to greater heights if she continues to work with similar efficiency. Subrata meanwhile now sits all day at home and drowns himself in suspicion, insecurity and ego. Subrata finally decides to meet Himangshu (Haradhan Bannerjee), Arati's boss, to ease some of his suspicions.

Abstract/Sommario: After the death of his wife, Gurupada Mitter (Prasad Mukherjee), an advocate, has not been at peace. He and his daughter Buchki (Gitali Roy), meet Birinchi (Charuprakash Ghosh). Birinchi Baba claims to be ageless. He tells stories from the past; about his arguments with 'Plato' about time, how he taught E=mc2 to Einstein, and was on first-name terms with Jesu (Christ) and Gautam (Buddha). Birinchi Baba has a growing band of rich devotees.

Abstract/Sommario: La storia è ambientata a Calcutta negli anni '30. Apu, un ex studente che sogna un futuro di scrittore, si fa convincere da un amico e sposa con un matrimonio di convenienza la bella Aparna, sua ex moglie. Il matrimonio sembra essere riuscito, i due infatti sono felici. Fino a quando Aparna, rimasta incinta, va a partorire in casa della madre e...

Abstract/Sommario: A famous star of Bengali films, Arindam Mukherjee (Uttam Kumar), has been invited to the capital to receive a prestigious award. As all the flights are booked, he is forced to travel by a train from Calcutta to New Delhi. He is in a foul mood as the morning's papers are filled with his being involved in an altercation and his latest film is slated to become his first flop.In the restaurant car, he meets Aditi Sengupta (Sharmila Tagore), a young journalist who edits a modern women's mag ...; [Leggi tutto...] A famous star of Bengali films, Arindam Mukherjee (Uttam Kumar), has been invited to the capital to receive a prestigious award. As all the flights are booked, he is forced to travel by a train from Calcutta to New Delhi. He is in a foul mood as the morning's papers are filled with his being involved in an altercation and his latest film is slated to become his first flop.In the restaurant car, he meets Aditi Sengupta (Sharmila Tagore), a young journalist who edits a modern women's magazine, Adhunika.[2] Filled with contempt for the likes of him, she secretly plans to interview him because she thinks it would make a saleable 'copy'. It soon leads to him unwittingly pouring out his life history. The interaction also brings to surface the inner insecurities of Arindam's character and his consciousness of the limitations of his 'powers'. Aditi initially takes notes, surreptitiously, but later on, out of empathy almost bordering on pity, abandons it. However, critical of the star, she interrogates him and the star ends up re-examining his life. In a series of conversations with Aditi, he also reveals his past and guilt.

Abstract/Sommario: The film is a vicious indictment of the Indian caste system; when a poor and out-caste, village shoemaker, Dukhi (Om Puri), goes to village Brahmin (Hindu priest) (Mohan Agashe) to get the date of his daughter's marriage fixed, the Brahmin in turn asks for labour without pay in exchange, the ensuing events however turn the table against the priest, who in the end has to fore-go all the lofty tradition, including that of untouchability, he held so dearly, all this life, in his life as v ...; [Leggi tutto...] The film is a vicious indictment of the Indian caste system; when a poor and out-caste, village shoemaker, Dukhi (Om Puri), goes to village Brahmin (Hindu priest) (Mohan Agashe) to get the date of his daughter's marriage fixed, the Brahmin in turn asks for labour without pay in exchange, the ensuing events however turn the table against the priest, who in the end has to fore-go all the lofty tradition, including that of untouchability, he held so dearly, all this life, in his life as village priest.[1]