Risultati ricerca

Abstract/Sommario: (Zatoichi Meets the One-armed Swordsman) It’s East meets East when one of Japan’s action idols crosses paths with an iconic kung-fu hero from Hong Kong. While traveling the countryside, Zatoichi comes across Wang Kang (Jimmy Wang Yu), a Chinese swordsman protecting a brutally orphaned young child. Despite the language barrier, the men forge a friendship, until nefarious enemies plant seeds of distrust to pit the two master martial artists against each other.
(Zatoichi at Large) Zatoic ...; [Leggi tutto...] (Zatoichi Meets the One-armed Swordsman) It’s East meets East when one of Japan’s action idols crosses paths with an iconic kung-fu hero from Hong Kong. While traveling the countryside, Zatoichi comes across Wang Kang (Jimmy Wang Yu), a Chinese swordsman protecting a brutally orphaned young child. Despite the language barrier, the men forge a friendship, until nefarious enemies plant seeds of distrust to pit the two master martial artists against each other.
(Zatoichi at Large) Zatoichi comes across a pregnant woman dying from sword wounds and helps deliver her baby. Her final request to him: take the boy to see his father. From here, the film evolves into one of the wilder rides in the Zatochi series, including such quirky touches as a mysterious child who follows Ichi and pelts him with rocks, monkey performances, and an unexpectedly hilarious take on the ronin challenger.
(Zatoichi in Desperation) Star Shintaro Katsu sits in the director’s chair for this psychedelic and unremittingly bleak entry in the Zatoichi series, which is unlike any other in its grind-house grimness. A tale of innocence corrupted by sadistic, sleazy criminality, the film is propelled by Easy Rider–esque editing and a trippy seventies funk score by Kunihiko Murai.

Abstract/Sommario: (Zatoichi's Conspiracy) Everything comes full circle when Zatoichi returns to his hometown. Unfortunately, he finds that a childhood friend has become a feared crime lord, keeping the locals in debt and bilking them of their rice. Capping off Zatoichi’s feature film era before he made the transition to television in 1974, this chapter is suffused with melancholy, closing the series on a note of seriousness and emotional heft that it has well earned.